Well It's Been Awhile

It's pretty obvious that my posts trickled off in August. Sad to say, my sewing habits mirrored that trend as well. University studies have consumed my time and will continue to do so until the summer. I hope to start sewing my plethora of sketched ideas during that period of time...and I hope summer won't run out before I have finished!

I did sew one dress over break, but I haven't photographed it yet. It's a dusky blue cowl neck jersey dress with Victorian-like tapered sleeves. It took its form with a vintage Vogue pattern, but I had to alter things from there to create a more form-fitting look. Hopefully I'll get photos of it up on here!

Day/Night

This dress is the first article of clothing that I've made for someone else (well, for a person--sorry to say, Barbies, you all don't count). I designed this for a friend of mine for her upcoming Day/Night dance for school. She asked for a dress that could be worn equally as well during the day as at night. Besides requesting me to use black chiffon and to incorporate white, she also really wanted a gold, silver, or yellow bow. I searched high and low at the local fabric store for her first choices of gold or silver fabric, but I couldn't find any that would properly shift the dress throughout the various alter egos of 24 hours. (It's also the first time that I realized that as fabric, gold can look like mustard and that silver can look grey. Not quite the same as true gold and silver, right? Super weird.)

The finished dress is mainly made out of black chiffon with black lining, white eyelet, and a textured, fresh yellow cotton. I really, really hope it fits! We live too far apart to have done a proper slew of fittings, and I also can't fit into the dress to try it on for size!

Dressy Vest

These fabrics might look familiar from a previous post about my upcoming projects for the summer. I dubbed them the "mango cotton" and the "grape-colored fabric"--I must have subconsciously labeled them with fruit names. Neither had any delicious, fruity name on the labels at the end of their bolts. Now that I've completed the vest, the combination of the names and the visual combination of the richly colored fabrics remind me of Indonesia and eating the native geometric, highly faceted fruits with their sweet aromas.



My initial idea was to make a dress out of the mango cotton and the grape-colored fabric, but I didn't want too many lines interrupting the continuous design of the grape fabric. I wasn't too keen on a tent-style dress either. While flipping through photos for inspiration, I firmly decided that I have been making far too many dresses. So, the dress idea turned into a vest idea, and the vest turned into a top with the mango cotton layered underneath the grape fabric.



I used McCall's 5933, but I had to make major alterations to get rid of the gap in the shoulder area. Otherwise, the whole vest front tilted awkwardly away from my chest. Bringing the two front edges together resulted with the vest's shoulder area drooping off of my back. Since I also had to reposition the darts, I can't say that this was a fantastic pattern to work with, but it was a fairly good starting block if one has other (major) plans for it. Hems were lengthened and hand-sewn to eliminate a harsh thread line. Buttons are a clear tangerine.

Something Slightly Different

I got sick of seeing heaps of white or sand-colored fabric with multicolored--often neon bright--stitches. I've often created muslins to work out the kinks in patterns, but I've never known what to do with them after their useful purpose has been, well, used. I feel too guilty to toss them out, but they're just too plain ugly to wear.

This dress was supposed to be a wearable muslin for a more elegant combination of fabrics. (I've used this fabric once before for a sundress that I made but have not worn yet.) It needed a bit more than just the stripes to made it fully wearable, so I added a red embroidery stitch, a few round wooden beads, and a vintage leather belt.

Black Drapes, White Sky

This black knit cardigan drapes.

(Yes, I left that sentence intentionally short.) It seems ironic that such a simplistic function like draping allows the cardigan to be aesthetically stunning. Although I had an array of colored knits to choose from, I chose black. I believe it most closely identifies with the simplistic sense of lines and the classic identity that draped material has had throughout antiquity.

I have seen unending variations of this cardigan in stores and always have found it to be an interesting design. Even so, I never bought one and was never compelled to make one: I rationalized that it was simple enough to make, but I also thought that there were more interesting projects to make--well, at the time.
I was reintroduced to the cardigan on Couture et Tricot and was amazed by the linked video. The video illustrates the amazing versatility of a similar cardigan, the DKNY Cozy. The talented Tany of Couture et Tricot used Simplicity 2603, so I decided to give it a try. Wonderful, wonderful pattern!

As a mini dress, pictured with a vintage leather belt.

Five other variations, although certainly not all of them

If viewed as a reflection of art history, the perfect topper for this embodiment of drapery would be YSL's caged boots. Even what is ethereal is ephemeral, and the ephemeral state of things makes life seem like a caged slideshow of images, sensations, feelings.




(This wasn't much of a pattern review, so see my actual review for Simplicity 2603 here.)

Rush

I am finally back to sewing! I was much too busy for a few weeks and also had a stack of alterations to do on existing stuff. There isn't much creativity attached with sewing on a few extra buttons here and there and hemming pants, so I haven't posted anything.

I still have to take photos of what I've been making this past week, so I'll put up a photos over the next few days. So far, I've completed my project with the onyx knit (as shown in one of my earlier posts--my gosh, there was so much of it) and will start tomorrow on the quick project of the paint brushed charmeuse and striped faux fur.

Europe Post #2

Here are the few photos that I took when I was at the Musee des Art Decoratif's exhibit on Madeleine Vionnet. I passed through the first floor with no problems, but I was yelled at on the second floor by a grumpy security guard (who later yelled at two other groups of tourists in other exhibits). Consequently, I only have photos from the first floor, and even these photos reflect just a small portion of what was shown.



Look familiar? This probably was the inspirational doll for Tissus Reine. Vionnet used this doll to create smaller prototypes of her dresses.



The one above looks more spectacular up close. The concept (whose fine details I've currently forgotten) was simple yet genius. The pieces are identical for the front and back.

Possibly my favorite piece.

Beautiful beading. The photo again doesn't do it justice. It almost looked like sand that had been washed upon fine fabric.

I loved nearly every piece, so I think that it would be wise for me to invest in a book with Vionnet's collection. I checked the book shop at the museum, and it sold one for about sixty euros--alas, a bit too high for me. I'm hoping that I can find the identical book somewhere online for less.